Spanish title: Rasputin y la Zarina (Rasputin and the Czarina)
Stars: Lionel Barrymore, Ethel Barrymore, John Barrymore, Ralph Morgan, Diana Wynara
Directed by: Richard Boleslavsky
Distributor: MGM

"King of crime, hatred and evil… bringing about the fall of an empire"

You know how, when you watch the end credits on a film, it’ll say "the characters and story in this film are fictional, any resemblance with any person, living or dead, is purely coincidental"? This film is why that happens.

The story goes that, after MGM made this film, the real life Czarina of Russia, Princess Irina Romanoff Youssoupoff, sued MGM for libel and invasion of privacy in both London and New York, extracting settlements of $125,000 and $250,000 respectively from the studio. At the heart of her complaint was that the film portrayed her as having had an affair with Rasputin, which she claimed was a lie. As a result, every studio inserted the fiction disclaimer in their productions, and we see them to this day.

That wasn’t the only lawsuit the film had to deal with – Prince Feliks Yusupov spotted a character in the film that, despite her name being changed, was clearly supposed to be his wife. As the character was shown to have been raped by Rasputin, he too sued for libel, and won. MGM duly cut the scene, thereby rendering the character’s shift from pro to anti-Rasputin decidedly weird to the viewer.

Off-set foibles aside, this is the first and only film in which all three of the famed Barrymore acting clan – Lionel, John and Ethel – appeared together on screen. The three had long been the darlings of the theater world, cementing a reputation as the greatest actors of their time (John’s son John Drew Barrymore, and his granddaughter Drew would carve career success of their own), so a shift to film was inevitable.

What’s a little odd is that John and Ethel’s characters in the film are portrayed as having an affair… creepy.

The lobby card celebrating this release featured original art from an unknown artist, and was printed by Litoarte S. de R.L. The version in our collection features a black and white still image featuring all the Barrymore’s, along with a series of Rasputin’s gal pals.  It’s got a little bent out of shape over the years, likely as a result of moisture, but for a promo card that is 75 years old, it’s in surprisingly good shape, regardless.

Spanish title: Tarzan el Indomable (Tarzan the Indomitable One)
Stars: Herman Brix (AKA Bruce Bennett)
Directed by: Edward A. Krull
Distributor: Guaranted Pictures de Mexico

"Dangers and adventures in the tropical forest"

Herman Brix could have been Johnny Weismuller, but for a shoulder injury he suffered in his first film – Touchdown. he was due to play Tarzan, the studio wanted him in the role, and his public profile was strong after he won the Olympic shot put gold medal in 1928, but with a bad wing, the role went to The Weis instead, and the rest is history.

That said, Herman Brix (who would eventually rename himself Bruce Bennett to shed the action star/tough guy persona) had a much longer career by ensuring that, whenever things weren’t to his liking, he’d go away, take some acting classes, and reinvent himself – even if it meant several years of uncredited acting and extra parts in the meantime. In fact, Brix was so sure of himself and so open to new things that, even at the age of 96, he decided to go skydiving. He would ultimately appear on 150 films before retiring to run a vending machine company in the 60’s.

Edgar Rice Burroughs had liked Brix and wanted him to play Tarzan, so when the studios went in another direction (and decided to make Tarzan a savage, rather than a displaced British aristocrat), Burroughs decided to start his own production company (Burroughs-Tarzan Enterprises Inc.) and make his own Tarzan series, in which he would give Brix the lead role.

Unfortunately, the studios don’t dig that kind of entrepreneurship, so they froze the series out of theaters in North America, but it did big business elsewhere, eventually being recut and turned into a pair of features – one of which was this one.

Tarzan the Indomitable One, as it translates to in English, is a collection of highlights from the first episode of the New Adventures of Tarzan serial, with a touch of episode two thrown in. The rest of episode two would eventually become Tarzan and the Green Goddess, several years later, and would still be circulating right through the 50’s and 60’s, wherever a theater needed a quick Saturday morning matinee fill-in.

The lobby card above is a good example of the way lobby cards used to frequently be back in the 30’s – original paintwork, some cheap screen printing (you can see a few errors from the print, most notably in the way the red color cuts out halfway through the ‘Herman Brix’ titling), and the usual action shot inset.

This card was created by the distributor of the film, Guaranted Pictures De Mexico, who are listed as being at Acapulco number 38, Mexico DF, with two telephone numbers of 14-46-42 and 14-46-48. We’re guessing those numbers don’t work today. GPdeM was the local office (as best as we can work out) of the US company, Guaranteed Pictures, who formed in 1918 and specialized in foreign films, reissues and B-grade fodder. They went out of business some time in the early 40’s.

Spanish title: La Bailarina (The Ballerina)
Stars: Joan Crawford, Clark Gable, Fred Astaire, Franchot Tone, May Robson, Winnie Lightner, Robert Benchley
Directed by Robert Z. Leonard
Distributor: MGM Mexico

"The case of a man who loved another… a huge musical romance… a splendid spectacle of wealth in the theater world, with
beautiful women shining in magnificent clothes. A worldwide smash"

Fred Astaire’s feature film debut is a Busby Berkeley-like musical about a burlesque dancer (Joan Crawford) who finds herself in trouble with the law when a patron removes an item of her clothing, just as the cops burst in for a raid. Saved from prison by a besotted playboy benefactor (Franchot Tone), he lines her up for an audition for a Broadway show, only for her to fall for the theater manager (Clark Gable) – love triangles (and song and dance numbers) ensue.

Interesting cameos come from Fred Astaire, singer Nelson Eddy, and a comedy group then known as Ted Healy and his Stooges (which would later become the more widely remembered Three Stooges).

The lobby card isn’t exactly a work of art, as MGM lobby cards of the 30’s tended to be one-color prints and almost entirely made up of still shots, but if only for the stills of Fred Astaire’s chicken legs in lederhosen, a dashing young Clark Gable, and a heavily-eye shadowed youth named Joan Crawford, this is a classic piece of promo art.

In regards to this particular lobby card, it’s in beautiful shape, with no pinholes, a tiny smudge of water staining on one corner, but otherwise it’s absolutely mint. Not bad considering it sat in the basement of a Mexican theater for 75 years before it got to us.